Musab Younis
New in Ceasefire, Politics - Monday, June 19, 2017 17:15 - 0 Comments
Politics">‘We mean nothing to them’: Grenfell, London’s Katrina Politics
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While Grenfell does not approach Katrina in scale, there are remarkable echoes in the state response to both disasters, notably the role of race and class and the looming shadow of gentrification, argues Musab Younis.
Books, New in Ceasefire - Monday, January 21, 2013 0:00 - 3 Comments
Books">Review | Cruel Britannia: A Secret History of Torture Books
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Ideas, New in Ceasefire - Monday, July 9, 2012 3:43 - 5 Comments
Ideas">The fiction of a free internet Ideas
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Features, New in Ceasefire - Saturday, April 7, 2012 0:00 - 5 Comments
Comment">In defence of Liam Stacey’s freedom of speech Comment
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Interviews, New in Ceasefire - Thursday, January 26, 2012 19:13 - 0 Comments
Interview">Guy S. Goodwin-Gill: on terrorism, the ECHR, Palestinian statehood, and drones (Part 2) Interview
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Interviews, New in Ceasefire - Wednesday, January 18, 2012 16:06 - 1 Comment
Interview">Guy S. Goodwin-Gill: on power, refugees and modern international law (Part 1) Interview
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Interviews, New in Ceasefire - Wednesday, January 11, 2012 0:00 - 0 Comments
Interview">Yanar Mohammed: “This government of ethnic and sectarian divisions does not represent Iraqis in any way” Interview
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Ideas, New in Ceasefire - Wednesday, January 4, 2012 13:00 - 1 Comment
Interview">Larissa Sansour: “For Palestinians, politics is not just an option, but a fundamental circumstance.” Interview
Two weeks ago Lacoste pressurised the Musée de l’Elysée to withdraw an entry for the Prix Lacoste Elysée by Palestinian artist Larissa Sansour for being "too pro-palestinian". In an exclusive interview, she talks to Ceasefire deputy editor Musab Younis about the fall out.New in Ceasefire, Politics - Wednesday, December 21, 2011 12:00 - 3 Comments
Comment">Why aren’t we re-nationalising British railways? Comment
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Exhibition, New in Ceasefire, Theatre - Friday, December 16, 2011 0:00 - 0 Comments
Arts & Culture">How to remember Stalin: ‘The Collaborators’ (National Theatre) and ‘Building the Revolution’ (Royal Academy) Arts & Culture
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