Janine DeFeo reviews Lisson Gallery's recently concluded major retrospective of video and new works by Spanish artist Santiago Sierra.
In the first installment of his new fortnightly column on experimental and independent music, Ceasefire's Andrew Fleming takes a look at two recent books on the musical avant-garde: an analysis of the cult journal 'Source', and Simon Reynolds' much-discussed work on 'Retromania'.
Over the past few months, two dozen Tibetans, mostly monks and nuns, self-immolated in protest at the Chinese occupation of their country. Anna Alomes reflects on what these actions mean, and what could lie ahead.
Decolonizing Architecture/Art Residency (DAAR,) are an art and architecture collective based in Palestine, whose work critically examines the role played by architecture in the occupation of the Palestinian territories. Tom Bennett visited 'Common Assembly' their current exhibition at Nottingham Contemporary.
It is through real life contexts, rather than theoretical abstractions, that we can best understand, and honour, the legacy of Malcolm X, write Jonathan Bennet and Adam Elliott-Cooper.
Tomorrow, Senegal votes for a new president with the incumbent, Abdoulaye Wade, running for a third term after a controversial constitutional amendment and widespread weeks-long protests. Oualid Khelifi reports from Dakar.
Michael Barker looks at the central, highly ideological, role played over the past 150 years by US white philanthropists in shaping education policies for blacks, promoting the freedom of the few to exploit others, and the freedom of the many to endure it.