By Hana Riaz

 “I do not want to be tolerated, or misnamed. I want to be recognized.”

— Audre Lorde

The problem with any –ism is that it splits you. It leaves you a division or shadow of who or what you really are. What remains are traces: aspects of your narrative, distortions in how they are told, and parts of yourself that you have to simply give up or leave at the front door– there is no room for all of you here. In this realm, even in spaces of ‘social justice’ or ‘activism’, the choice is limited: resign yourself to being non-existent or present halves, maybe thirds or quarters or eighths of yourself.

Mona Eltahawy’s piece ‘Why Do They Hate Us’ in Foreign Policy’s recent ‘Sex’ issue (that alone warrants approaching it with trigger caution) caused a stir across the blogosphere. The real war on women, she proclaims, is in the Middle East. She sites some pretty indisputable examples and accounts of the endemic sexism that is definitive of Arab and Muslim women’s lives: female genital mutilation, child marriage, sexual harassment, exclusion from the labour market, and low literacy rates.

For her, the hatred these barbaric, backward and savage Muslim (or ‘Islamist’) men have for women is a consequence of a toxic culture and, mostly, religion– the “worship of a misogynistic God” and the following of a Prophet Muhammad who, like all these men now do, married a “child”.The Arab Spring thus becomes devoid of meaning, the real fight is a fight for women, and the real oppressors are in Egyptian homes and bedrooms, not solely in that palace.

“Resist cultural relativism”! She cries to an American audience, “we are more than our headscarves and our hymens… listen to those of us fighting”. Ironic it is that she reduces the ‘us’ to just that.

While it is important to talk about and make known the plight of the women she attempts to speak on behalf of, few would hesitate to argue that her telling was reductive. She presents these women without agency by not only speaking for them, but by depicting them as perpetual victims – of men, of religion and even of the revolutions they were so crucially a part of. She asks her American audience to amplify the voices of resistance yet offers virtually none.

But what is it about these reductions, these tropes and these stereotypes she plays into that makes her piece so alarmingly dangerous?

Frantz Fanon, in Black Skin White Masks (1967), used psychoanalytic theory to explain racism within a colonial context. He argued that racial stereotyping or the ‘white gaze’ gave way to a split subject and division of self. The black person would be resigned to a perpetual misrecognition, a kind of racist violence that is born from the refusal of the white ‘other’ to acknowledge the black person.

Recognition of course was recognition of black humanity, of the black individual to be acknowledged in their entirety. For Fanon that colonial, white ‘othering’ gaze fixed him as an object; it denied him who he was and who he wanted to be; a split he felt would never heal.

Liberal identity politics often attempts to frame people. Whilst it doesn’t always lock them into stereotypes, more often than not it forces people to choose between parts of themselves, parts of their homes, parts of their communities, parts of their daily experiences, and ultimately parts of their struggles. Mona failed to conceive of these women as resisters in their own right, women who struggle and fight and challenge, just as they may be victims in ways that aren’t necessarily always accounted for.

More importantly, she also failed to conceive of them as living human beings. Women who belong to multiple communities – whose identities aren’t just defined by the category ‘woman’ even though it may be definitive of a large proportion of their material reality. The same women that may be gay, straight, trans- or cis-gendered; they may be poor, middle class, or part of the elite; young or old, with families or none; that interact and live with and love all types of men and women; that are effected by war, imperialism and dictatorships, just as they may be targets of ‘democracy’.

These are the same women that may or may not work; that span across abilities; that are citizens, and noncitizens of nation-states; that live in rural or urban areas; that have access to a plethora of resources or at times none; the very same women that belong to faith communities that they may not want to dispose of (which, ironically, doesn’t solely apply to Islamic ones); that may or may not be literate; they may be teachers, activists, writers, and/or a bunch of other things most likely all at once. They may defy none, some or all binaries presupposed in this paragraph.

These are the same women whose lives are real and lived, whose experiences shape and affect their identities and who they are. These are the same women who, like the global majority, are subject to one or more systems of domination. They shouldn’t have to choose between their liberation struggles, let alone be told who they are and how to fight them.

It’s no wonder her article was received by Muslim and Arab women with angst and fury, the same women that have provided necessary responses to counterbalance her self-appointed position as representative of all Egyptian/Arab/Muslim women to the West.

Fanon and Lorde importantly remind us that the fight against any oppression is really and truly a struggle for humanity. Black and other women of colour feminists all over the world call for a politics that takes account of people in their entirety, one that acknowledges the intersectional realities that we all live precisely because we create and negotiate out of them.

Part of being a feminist or an ally requires us to understand just that, that the work we do comes from a deeply personal place and that this fight is perhaps most effective when we recognise that this battle can only be won by representing ourselves honestly.

Perhaps Mona’s piece would have been better received if she had said just that: “this is who I am and this is what I believe”. Had she done so, she would have avoided the trap of a politics of misrecognition that women of colour no longer accept, especially when delivered by liberal feminists.

Hana Riaz is a London-born and based writer. She is the founder and director of The Body Narratives Ltd, a platform and community organisation that supports the development of women of colour creatives. Follow her on Twitter @HanaRiaz.