Ceasefire's Classical and Opera critic, Paul Guest, reviews the first night of this year's BBC Proms at the Royal Albert Hall.
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Cendrillon at the Royal Opera House, Covent Garden.
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Mozart's 'Le nozze de Figaro' at Opera Holland Park.
"There's a long history of trains in popular music. They've represented freedom, inspired dances, carried loved ones away and heralded utopian futures." Dave Bell offers a selection of the different ways in which the sounds of trains have been used in music and considers what this might be able to tell us about the way we engage with sound and each other.
Ceasefire's Frederick Andrews reviews The Golden Cage, an intriguing semi-fictional collation of personal memories, encounters and stories by the Iranian human rights activist and Nobel Prize winner Shirin Ebadi.
Ceasefire's Chess columnist, Paul Lam, pays tribute to the game's ‘Romantic’ age, with its Bohemian outlook and lifestyle and the spectacular chess that it produced.
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on the world premiere of 'Two Boys' at the English National Opera.
Andrew Fleming reviews Mapping London, the new book by Simon Foxell, which examines the ways the British capital has been transcribed, mapped and understood over the centuries, from the mid-sixteenth century Shoreditch surrounded by windmills to the 1951 attempt to delineate the architecture of the South Bank.
Ceasefire's opera critic, Paul Guest, reviewing a piano recital by Benjamin Grosvenor at Wigmore Hall, finds a "remarkable talent".
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Tosca at the Royal Opera House.