In a new essay on corporate power, Ceasefire columnist Michael Barker examines the intriguing role of corporate philanthropy in the American higher education system.
As Black communities come to terms with the attacks on local property, the politics of the riots and their aftermath has been seldom offered the attention it deserves. The learning, organising and actions of local communities during and following the uprisings display a need for many to redefine what is interpreted as 'political'.
In his latest column, Ceasefire's art critic, Daniel Barnes, reflects on Martin Creed's work, on the occasion of the artist's comeback exhibit, paying tribute to a subtle, quiet genius.
In the second and final part of his essay on Mikhail Bakhtin, political theorist Andrew Robinson reviews, and critiques, one of the central concepts in the Russian thinker's work: the Carnivalesque.