Ceasefire's opera critic, Paul Guest, reviews "Seeing is believing", the latest music CD from Nico Muhly, an "undisputed champion of contemporary classical music".
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Seven Angels at the Opera Group.
As the wave of popular protests sweeps the globe, there is a growing recognition within activist movements of the exhaustion of traditional radical politics of ideological models and organisational vanguards. Sara Motta calls for a new politics in which people have control over decisions and processes affecting their lives.
"Attending the opening night ... was not the red carpet experience one may hope for at a film premiere; but then for a documentary about the persecution of Australia’s Aboriginal people, a glamorous outfit and a dozen photographers would hardly have been appropriate". Ceasefire's Melanie Scagliarini reviews 'Our Generation'.
One of the most striking images in the wave of Arab revolutions has been the presence of Palestinian flags on demonstrations throughout. From Tunis to Cairo to Benghazi, expressions of solidarity with the Palestinians have been there all along. In his new column, Asa Winstanley argues that Zionism's propsects in the region are more untenable than ever.
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Simon Boccanegra at the English National Opera.