After gaining political power the progressives gradually began to lose it. In the second part of his 'Creating the Future' series on the left, Paul Schloss looks at the reasons why.
One day, Dave Prescott was driving along in his car, late for something really important, "when I saw one of these signs and it made me stop and perform a dangerous U-turn. Under normal circumstances I would have driven past, confident in the fact that I already had eggs, for example, or didn’t need runner beans. But this time the sign offered more."
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on the world premiere of 'Two Boys' at the English National Opera.
This week Barack Obama confirmed the opening of negotiations with the Taliban. And yet, the United States government continues to refuse talks with Hamas, a popularly-elected movement. In his new column, Asa Winstanley argues this double standard tells us a lot about strategies of resistance.
This week in South America: a former top Columbian security official is indicted for the murder of a critical journalist, Peruvian president-elect Ollanta Humala visits Bolivia, and recent revelations implicate the US Bureau of Alcohol, Tobacco and Firearms in fuelling Mexico's drug wars. Ceasefire's Tom Kavanagh reports.
Ceasefire's opera critic, Paul Guest, reviewing a piano recital by Benjamin Grosvenor at Wigmore Hall, finds a "remarkable talent".
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Tosca at the Royal Opera House.
In an exclusive interview, Ceasefire's opera critic, Paul Guest, speaks to one of Opera's brightest stars, Nicky Spence, due to appear in 'Two Boys', Nico Muhly's new production.
Many view history as a succession of defeats for the left. This viewpoint, closely tied to ideology, ignores the effects particular movements have on the culture, an important contributor to political change. In a first of a series of essays, Paul Schloss considers a defeat that became a victory, but only decades after the event. Practical visionaries, stubborn in their values but flexible in their ideas may, he suggests, be the secret to such victories. He looks at a famous example.
A selection of works from the Government Art Collection is currently on display at the Whitechapel gallery. Ceasefire's Art Critic, Daniel Barnes, looks at the "insidious desire to use art to exercise political power."