Andrew Fleming reviews Mapping London, the new book by Simon Foxell, which examines the ways the British capital has been transcribed, mapped and understood over the centuries, from the mid-sixteenth century Shoreditch surrounded by windmills to the 1951 attempt to delineate the architecture of the South Bank.
Ceasefire's opera critic, Paul Guest, reviewing a piano recital by Benjamin Grosvenor at Wigmore Hall, finds a "remarkable talent".
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Tosca at the Royal Opera House.
In an exclusive interview, Ceasefire's opera critic, Paul Guest, speaks to one of Opera's brightest stars, Nicky Spence, due to appear in 'Two Boys', Nico Muhly's new production.
In his new book, 'Third World Protest', Rahul Rao attempts to ground the sterile world of international normative theory in the practices and discourses of subaltern protest groups. Ceasefire's deputy editor, Musab Younis, reviews Rao's arguments.
Many view history as a succession of defeats for the left. This viewpoint, closely tied to ideology, ignores the effects particular movements have on the culture, an important contributor to political change. In a first of a series of essays, Paul Schloss considers a defeat that became a victory, but only decades after the event. Practical visionaries, stubborn in their values but flexible in their ideas may, he suggests, be the secret to such victories. He looks at a famous example.
A selection of works from the Government Art Collection is currently on display at the Whitechapel gallery. Ceasefire's Art Critic, Daniel Barnes, looks at the "insidious desire to use art to exercise political power."
Ceasefire's opera critic, Paul Guest, reviews "Seeing is believing", the latest music CD from Nico Muhly, an "undisputed champion of contemporary classical music".
In his latest review, Ceasefire's opera critic, Paul Guest, gives his verdict on a production of Seven Angels at the Opera Group.