Editor's Desk, New in Ceasefire - May 9, 2018 13:07 - Comment

    Media | Tom Mills: “There is no doubt the BBC has been biased towards Corbyn”

    Tom Mills, lecturer in Sociology and Policy at Aston University and author of ‘The BBC: Myth of a Public Service’, on the BBC’s impartiality in its coverage of Jeremy Corbyn.

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    Ideas, New in Ceasefire - Jun 13, 2018 17:35 - Comment

    Comment | The Resistible Rise of Saint Tommy

    On Saturday, thousands gathered in London’s Trafalgar Square to express support for far right figure Tommy Robinson. The range and breadth of the #FreeTommy movement suggests it may be making serious inroads towards the mainstream, warns Matt Carr.

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    New in Ceasefire, Politics - May 10, 2018 18:54 - Comment

    Comment | Marching with pride in Turkey, despite the crackdown

    Extraordinary measures are becoming increasingly normalized in Turkey – with human rights activists often the target, writes Milena Buyum ahead of tomorrow’s banned Pride march.

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    New in Ceasefire, Photo Essays - May 9, 2018 12:00 - Comment

    Photo Essay | Tindouf: A bright spark in Saharawi-Algerian solidarity

    Visiting the city of Tindouf and nearby refugee camps in south-west Algeria, Saharawi writer Agaila Abba reflects on the remarkable social and economic transformation of the city.

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    Columns, Ideas, New in Ceasefire - Apr 18, 2018 16:12 - Comment

    An A to Z of Theory | Hakim Bey: Capitalism, the State, and the Spectacle

    In the latest essay of his series on Hakim Bey, Andrew Robinson examines Bey’s theory of capitalism, his critique of ‘cop culture’ and his comments on American global hegemony; and provides an analysis of Bey’s view of the dominant system.

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    Arts & Culture, Music & Dance, New in Ceasefire - Feb 5, 2018 20:34 - Comment

    Comment | The tone-deafness of privilege: Justin Timberlake at the Super Bowl

    Justin Timberlake’s Super Bowl performance last night was a bitter reminder of the American cultural establishment’s shameful mistreatment of an iconic black female artist, and his complicity in it, writes Ali M. Latifi.

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