<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Ceasefire Magazine &#187; Profiles</title>
	<atom:link href="http://ceasefiremagazine.co.uk/category/profiles/feed/" rel="self" type="application/rss+xml" />
	<link>http://ceasefiremagazine.co.uk</link>
	<description>Politics, Art and Activism</description>
	<lastBuildDate>Thu, 02 Sep 2010 22:16:21 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Culture Fix: Robert Chrisgau, doyen of US music critics, retires</title>
		<link>http://ceasefiremagazine.co.uk/2010/08/culture-fix-robert-chrisgau-the-doyen-of-us-music-critics-retires/</link>
		<comments>http://ceasefiremagazine.co.uk/2010/08/culture-fix-robert-chrisgau-the-doyen-of-us-music-critics-retires/#comments</comments>
		<pubDate>Sat, 14 Aug 2010 23:13:01 +0000</pubDate>
		<dc:creator>hich</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[christgau]]></category>
		<category><![CDATA[consumer guide]]></category>
		<category><![CDATA[culture fix]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[robert]]></category>
		<category><![CDATA[village voice]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=732</guid>
		<description><![CDATA[<a href="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau.jpg"><img class="alignleft size-full wp-image-366" title="Raoul" src="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau.jpg" alt="" width="1236" height="816" /></a><strong> <size=4> After more than 40 years at the top of the music journalism game, Robert Christgau, formerly of the Village Voice and legendary author of the 'Consumer guide' series has this month announced his retirement from writing his weekly column. To mark this end of an era, academic and writer Donal Mac an Eala writes a moving tribute to a unique, encylopedically rich voice in music and cultural criticism.   </a><strong> <size=4></strong></size>]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau.jpg"><img class="aligncenter size-large wp-image-734" title="robertchristgau" src="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau-956x1024.jpg" alt="" width="344" height="368" /></a><a href="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau2.jpg"></a></p>
<p>By <strong>Donal Mac an Eala</strong></p>
<p>Once a Village Voice <a href="http://en.wikipedia.org/wiki/Robert_Christgau"><span style="text-decoration: underline;"><span style="color: #0000ff;">music critic</span></span></a>, he has been, in the last two years or so, working with MSN which, a month or so ago, has finally discontinued his reviews. However, he is still writing, for example he does an essay for Barnes and Noble each month and works with NPR.</p>
<p>It was his <em>Consumer Guide</em> which has definied the art of self-reflectivity in music criticism: His pithy reviews of albums (and on occasions songs) have built up and up into a body of work that spans a period of more than 40 years.</p>
<p>And it’s no overstatement to suggest that he has been one of the defining influences on my own musical taste, not to say that my taste shadowed his – not for him metal, or the more esoteric byways of dance, and not for me that in-depth knowledge of soul [definitely my loss] or roots or African music, but it was an influence nonetheless.</p>
<p>He’s been a presence in my musical life since I was 16 when the school library in Greendale Community School [Kilbarrack] gave a group of us money to purchase new books for it. One of those purchased was <em>Christgau’s Consumer Guide of the 1970s</em>. Eventually having had it out on permanent loan I was forced to get a copy of my own.</p>
<p>It’s a hefty book, and that original edition has an illustration of a set of headphones with a lightning streak running between them, but somehow that’s a muted image and therefore nowhere near as flashy as that might suggest.</p>
<p>It’s chastening to think that when I first read that book, in 1981, Zeppelin had broken up barely a year before, Joy Division likewise, the Rolling Stones were arguably in the earlier stages of their career (I joke, sort of), the charts were groaning under the weight of new wave and post-punk. In other words, that entire musical universe of the 1970s was so recent that the vinyl was still soft – so to speak, even if we pretended to have no interest in anything prior to 1977 (or more realistically Ska or the New wave of British Heavy Metal). And here, here was a book which took it all seriously (bar metal, always a blind spot of Christgau’s), which threw in Funkadelic and Steely Dan and the Beatles and said… it’s all valid but what’s good is good, what’s bad is bad. A useful lesson to learn.</p>
<p>Each little review was an often perfect synthesis of critique, wit and knowledge in a couple of hundred words or less, and the overall whole recognising that music was a spectrum. Another useful lesson to learn.</p>
<p>And that first Consumer Guide, despite the fact it took decades for me to hear even a quarter of its contents, pointed to the fact that there was so much out there and that even if it was in styles and genres that I might not like now, perhaps, just perhaps, I would someday</p>
<p>And that, too, was a hugely useful lesson to learn.</p>
<p>And he wasn’t even middle aged when the first book came out. Okay he was about 37… old enough in those days. He was married, over 30 and therefore effectively middle aged… and yet, oddly, so was Ian Curtis’s voice. Sure, so was almost everyone making music at that point in time. They were old, whether 21 or 31 or, God forbid, 41 (and the remarkable longevity of the current era – and that’s not necessarily a criticism – was still some way off). They were bloody well older than 16.</p>
<p><img title="robertchristgau2" src="http://ceasefiremagazine.co.uk/wp-content/uploads/robertchristgau2.jpg" alt="" width="298" height="281" /></p>
<p>Revelatory about punk, but also noting that punk wasn’t a one-off, that it, too, had roots, and that there had been other movements before, that <em>that</em> too was part of a continuity. I also think he has had – and one hopes will continue to have – a real ability to lock in, through words, that almost mystical aspect of music, that near synesthetic quality it has where it infuses and reflects those stray moments in life.</p>
<p>Some quotes perhaps will demonstrate his efficacy with words…</p>
<address><strong>The O’Jays Family Reunion </strong></address>
<address><strong>[Philadelphia International, 1975]<br />
</strong>In which Jesse Jackson (or is it Reverend Ike) goes disco, proving that the words do too matter. The self-serving, pseudopolitical pap Kenny Gamble sets his boys to declaiming here underlines the way the overripeness of this vocal and production style can go mushy, which it does. Even the working-class party anthem &#8220;Livin’ for the Weekend&#8221; is ruined by the rest of the side–some play-her-like-a-violin soft-core, and the unspeakable (would it were unsingable) &#8220;I Love Music.&#8221; Moral: the rich and the superrich shit–the nouveau riche can fuck you over too. C</address>
<address><strong><strong><strong></strong></strong></strong></address>
<address><strong>Boston Third Stage </strong></address>
<address><strong>[MCA, 1986]<br />
</strong>Never again can us wiseasses call it corporate rock without thinking twice. Whatever possessed Tom Scholz to spend seven years perfecting this apparently unoccupied articulation of an art-metal thought extinct years ago, it wasn’t megaplatinum ambition. He’s more like the Archbishop of Latter-Day Arena Rock, perfecting majestic guitar sounds and angelic vocals for hockey-rink cathedrals the world over–and also, since he’s patently reluctant to venture from his studio retreat, elegiac melodies suitable to a radio ministry. If he seems more hobbyist than artist, more Trekkie than Blind Boy Grunt, that’s no reason to get snobbish. And no reason to listen, either. C</address>
<address><strong></strong></address>
<address><strong>Never Mind the Bollocks, Here’s the Sex Pistols</strong></address>
<address><strong>[Warner Bros., 1977]<br />
</strong>Get this straight: no matter what the chicmongers want to believe, to call this band dangerous is more than a suave existentialist compliment. They mean no good. It won’t do to pass off Rotten’s hatred and disgust as role-playing–the gusto of the performance is too convincing. Which is why this is such an impressive record. The forbidden ideas from which Rotten makes songs take on undeniable truth value, whether one is sympathetic (&#8220;Holidays in the Sun&#8221; is a hysterically frightening vision of global economics) or filled with loathing (&#8220;Bodies,&#8221; an indictment from which Rotten doesn’t altogether exclude himself, is effectively anti-abortion, anti-woman, and anti-sex). These ideas must be dealt with, and can be expected to affect the way fans think and behave. The chief limitation on their power is the music, which can get heavy occasionally, but the only real question is how many American kids might feel the way Rotten does, and where he and they will go next. I wonder–but I also worry. A</address>
<p>And this spot-on precis of the vastly overrated &#8216;Them Crooked Vultures&#8217;, from his last column…</p>
<address><strong>Them Crooked Vultures: ‘Them Crooked Vultures’</strong></address>
<address><strong>(DGC/Interscope)<br />
Grade: B MINUS</strong></address>
<address>In his demure way, macho formalist Josh Homme has emerged as a post-Nirvana rock auteur to rival Jack White himself. Signature project taking a break? No prob. He’ll just hire the supposed musical glue of the heaviest aggregation of all time, wave his magic bushwhacker and turn Nirvana’s most successful member back into the drummer we wish he’d remained, and pound out what any blindfolded stoner with girlfriend problems would yell in your face was another Queens of the Stone Age album, and later for effing Eagles of Death Metal. Homme sees the humor in his formalism even if his fans don’t, and the all-star rhythm section does add fluidity. But in the end this is hard-rawk nirvana with a small &#8220;n&#8221; — a world of unusually hot sex and skull-busting drugs young guys with girlfriend problems will wish was so. I mean, that is one hell of a market share.</address>
<p>He also writes somewhat longer pieces, take this <a href="http://www.robertchristgau.com/xg/bk-aow/eagles.php"><span style="text-decoration: underline;"><span style="color: #0000ff;">one</span></span></a> on The Eagles which is notable for… well, look, people should read it for themselves.</p>
<p>The other aspect of this was that it was US-based, with that curious view of music from this side of the Atlantic that is reflective of the prism that is US music and media. I loved that slightly alien quality and still do. In a way, in this digital period, that dynamic has buckled somewhat. If I go to emusic I can find material from obscure indie or dance bands from Canada, or Germany or wherever. And of course it’s all available now.</p>
<p>I still treasure the first <em>Consumer Guide</em>, it’s on the bookshelves in the front room (those shelves winnowed down in recent years with many other newer books transferred to the attic) because it has genuinely become a part of my life. I was reading it as recently as the weekend, flicking through idly, fascinated by his thoughts on Prince or Springsteen or Bob Seeger, or whoever.</p>
<p>The next book from the 1980s was, on some levels, more and yet less fascinating because it paralleled my own musical experience more closely, but also pointed out the gaps. The 1990s one perhaps a little less so again, most likely because my own tastes tended to solidify and, also, that I was more familiar with their contents. As it happened though, and perhaps tellingly, I only purchased them in the early 2000s in a secondhand bookshop in New York. None more appropriate!</p>
<p>I hope that he continues to write because his is a voice that music needs now more than ever as it fragments yet further .</p>
<p>He’s quoted on a recent Slate Magazine Culture Gabfest podcast that discussed his retirement as saying that his Consumer Guide elaborates on…</p>
<address style="text-align: center;">‘My life theory of why popular music is the greatest of the arts’…</address>
<p style="text-align: left;">Sounds about right to me <img title="icon_wink" src="http://ceasefiremagazine.co.uk/wp-content/uploads/icon_wink.gif" alt="" width="15" height="15" /></p>
<p><strong>Donal Mac an Eala</strong> works in politics, lectures in various aspects of contemporary culture and is a writer and blogger. He is also a contributor to the <a href="http://cedarlounge.wordpress.com/2010/08/14/robert-christgau-has-retired/">Cedar Lounge Revolution</a></p>
<p><em>[A version of this article also appears on the </em><a href="http://cedarlounge.wordpress.com/2010/08/14/robert-christgau-has-retired/"><em>Cedar Lounge Revolution</em></a><em> website.]</em></p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2010/08/culture-fix-robert-chrisgau-the-doyen-of-us-music-critics-retires/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Remembering Mahmoud Darwish &#8211; How the revolution was written</title>
		<link>http://ceasefiremagazine.co.uk/2010/08/remembering-mahmoud-darwish-how-the-revolution-was-written/</link>
		<comments>http://ceasefiremagazine.co.uk/2010/08/remembering-mahmoud-darwish-how-the-revolution-was-written/#comments</comments>
		<pubDate>Mon, 09 Aug 2010 16:46:45 +0000</pubDate>
		<dc:creator>hich</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[ahmed masoud]]></category>
		<category><![CDATA[darwish]]></category>
		<category><![CDATA[mahmoud]]></category>
		<category><![CDATA[Palestine]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[prose]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=584</guid>
		<description><![CDATA[<a href="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish.jpg"><img class="alignleft size-full wp-image-366" title="Raoul" src="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish.jpg" alt="" width="1236" height="816" /></a><strong> <size=4> Two years ago today Palestine’s National Poet, Mahmoud Darwish passed away after a 6-month battle with cancer. He was 67. The ensuing reverberations, of loss and mourning and a sense of things left unsaid continue to resonate to this day. On this second anniversary, Ahmed Masoud, Palestinian academic, writer and theatre director, revisits the astonishing achievements of a literary giant. In particular, he guides us through a crucial period in Darwish’s intellectual journey, namely the years 1950-1971 when he was still living in Israel. It's a fitting homage, celebrating the life of a true humanist and the fighting conscience of a nation.</a><strong> <size=4></strong></size>]]></description>
			<content:encoded><![CDATA[<p><a href="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish3.gif"><img class="size-full wp-image-587 alignleft" title="darwish3" src="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish3.gif" alt="" width="607" height="456" /></a></p>
<p>By <strong>Ahmed Masoud</strong></p>
<p>On 09 August 2008, Palestinians were distraught and shocked at the news of the departure of their beloved national poet Mahmoud Darwish. Although his health had been deteriorating for over six months, Darwish’s death was received with grief across the Palestinian nation and the Arab world. The Palestinian National Authority (PNA) declared three days of national mourning across the West Bank and the Gaza Strip. This article aims to explore Darwish’s contribution in building modern Palestinian literature which is considered to be at the core of post 1950 modern Arab literary movement. The focus here will be on his life in Israel between 1950 and 1971.</p>
<p>Born in 1942, in the village of Barwa near Acre, Darwish was one of the 800,000 Palestinians deported during the Palestinian Nakba# of 1948. He lived in Lebanon for eight years until he went back to look for the rest of his family. He discovered that his village was one of the 450 villages razed to the ground by Israelis in 1948. Darwish left Palestine in 1971 to study in the USSR for a year and decided to join the Palestine Liberation Organization (PLO) in 1973, when he was banned from re-entering Israel. He lived in Cairo between 1975 and 1981where he worked for Al-Ahram newspaper. Darwish moved to Beirut in 1980 where he became the editor of the journal “Palestinian Issues” and was the director of the Palestinian Research Centre. He returned to Palestine in 1996 after the PNA was born as a result of the Oslo agreement which gave Palestinians self-rule over parts of Gaza and small parts of the West Bank.</p>
<p>Darwish is considered to be the founder of the literature of resistance which was born as a reaction to the loss of the Palestinian homeland and identity. The literature of resistance was developed by Palestinians who remained in Palestine after 1948. Their writing came to express their rejection of the new political climate which branded their national aspirations a form of anti-state terrorism. The enthusiasm and anger of some young poets, like Mahmoud Darwish, developed into a unified and structured literary movement which aimed to encourage resistance of the occupation. No one has described the literature of resistance clearer than Moshe Dayan (1915-1981, Israeli defense minister during the Six Day War in 1967) who said in an interview with Ma’areef newspaper (Israeli daily paper) that “only one poem of Fadwa Tuqan# is enough to create ten Palestinian terrorists” (Quoted from Al-Ayyam, 1997).</p>
<p>This statement was a reflection of the fact that, in the mid-twentieth century, Palestinian poets focused their anger on the Israeli government and the West, describing their countrymen as victims of history and heroes fighting to redeem their people. The main themes in the literary writings of that period, therefore, had been resistance as well as the continuous faith in victory and the right of return. Literature, particularly poetry, took a leadership position in inviting people to start a resistance movement after 1948. The nationalist movement was almost destroyed after the Nakba, Also, there was no national media to discuss national issues. All the small newspapers which operated before the establishment of the state of Israel were destroyed. This left the remaining Palestinian community, almost 200,000 people, unorganized and not represented in the new society. In this context, poetry and the spoken word started taking the lead in representing Palestinian issues.</p>
<p>Mahmoud Darwish is always introduced in his poetry readings as Al-Munadil (the freedom fighter). He was seen not only as a man of letters but also as a leader who was able to eloquently express what his people needed, against any attempts of cultural appropriation.</p>
<p>I will say myself that Palestinians are not merciful to their men of letters. This is because of their faith in the effectiveness of literature which has been to them a compensation for all the humiliations when they lost everything (referring to 1948) except words. Literature then took strength from the people to create a relationship between them and the lost home. A Palestinian writer is often asked: Are you a writer or a freedom fighter? (Kanafani, 1998)</p>
<p>Post 1948 Palestinians were treated as second class citizens in Israel. There were not, for example, any unions for Palestinian workers and Palestinians were not allowed to work in any other job than handy work, mainly building and construction. It is indeed his ability to draw attention to national themes while talking about ordinary human matters like love which brought fame to Mahmoud Darwish. In his first anthology Lover From Palestine (1967), he clearly talks about emotional matters which concerned any young man of his age (25), but his ability to incorporate the young man’s emotional concerns within his national outlook is what makes the anthology unique. At the time of its publication, the Israeli government imposed onerous rules on Arabic-language literary production. Publishing was limited and went through Israeli censorship channels; those who did manage to publish sometimes received funding from Zionist organizations which imposed their own ideological imperatives on the context of the writing. In fact, most publications were not allowed to talk about Palestine and the theme of homeland.</p>
<p>Zionist organizations also encouraged Palestinian writers who were desperate to publish their works in Arabic to promote Zionism as an acceptable social phenomenon. In this political environment, poetry was the medium to express the feelings of resentment because it could spread easier than any other printed literature.</p>
<p>Love poetry was a key element in creating the literature of resistance. Post 1948 Palestinians were disconnected from their own community; the majority left Palestine and the remaining minority felt fragmented because a lot of their family members were either killed or deported. Love poetry became a key element in bridging the gaps between those fragmented communities and created a feeling of security amongst those who remained in Palestine. This form of poetry came to compensate for the inability to express the feelings of oppression which were not allowed to be published. Ten years after the Nakba, love poetry was transformed into a new genre which had the aim of connecting social and national issues in one form. While writers talked about love in order to bring communities together, the sense of homeland was re-established in images, memories and most importantly, hopes of civil and national rights. Poets, then, adopted a resistance mentality whereby the enemy was challenged.</p>
<p>To the rest of the world, however, it still seemed that the Palestinian people did not exist, except as remote statistics. Mahmoud Darwish became the main exponent of the literature of resistance in the sixties, and was, like many fellow poets, often imprisoned by Israeli authorities. He earned international acclaim for his poetry on the Palestine experience, etching with the details of human moments rather than ideology, but constantly imbued with a drive for his people’s dignity.When his poem &#8220;A Lover from Palestine&#8221; was going to be published, he presented it to the Israeli censor, who crossed out the word `Palestine’ and replaced it with `Eretz Israel (Gabriel, 1998)</p>
<address>Like grass growing among the joints of a rock</address>
<address>We existed as strangers one day</address>
<address>The Spring Sky was composing a star…and a star</address>
<address>And I was composing a love verse</address>
<address>To your eyes I will sing.</address>
<address>Do your eyes know that I have waited very long</address>
<address>Like summer waiting for a bird</address>
<address>And I slept like an immigrant</address>
<address>With one eye awake and the other crying</address>
<address>We are two lovers until the moon falls asleep</address>
<address>And know that hugging and kissing</address>
<address>Are the food of love nights</address>
<address>And that morning is calling for my footsteps to continue</address>
<address>On the path!</address>
<address>We are friends, so walk next to me hand in hand</address>
<address>Together we make bread and songs</address>
<address>Why do we ask this path which fate we are facing?</address>
<address>Let’s just walk for ever</address>
<address>Why do we look for songs of crying</address>
<address>In an old poetry anthology?</address>
<address>And we ask: our love, are you going to be for ever?</address>
<address>I love you like Bedouin tribes love the oasis of grass and water</address>
<address>Like a hungry man’s love to a loaf of bread</address>
<address>Like grass growing among the joints of a rock</address>
<address>We existed as strangers one day (Darwish, 1996)</address>
<p>In this poem, entitled “The Most Beautiful Love”, Mahmoud Darwish is clearly writing to his beloved about his love to her and their future together. He expresses his anxiety about her concern regarding the future, claiming that lovers should not worry about what is to come. However, the political references are hidden among the lines and metaphors of this poem. The first line of the poem expresses how Palestinians have become strangers in their own land. The metaphor of the grass and rock suggests the abnormal situation Palestinians in Israel live in where one, the rock, is more aggressive and hostile and the other, the grass, is more passive and powerless. The writer shows how the birth of the state of Israel destroyed the Palestinian nation and prevented it from growing. “I slept like an immigrant” (Darwish, 1996) is another simile of the situation in Palestine at the time. Post-1948 Palestinians have not enjoyed full civil rights and lived like immigrants in their own country. After the mass deportation/exodus of Palestinians, Israeli government worked on ethnically cleansing those who remained in their homes. They delayed registering them as citizens of the new state and did not grant them residency permits which eventually led to their deportation. The majority of Palestinians after 1948 did not have such a permit and therefore had to move around their own country like immigrants. In response to this idea of the immigrant, the poet continues his poem with reference to Palestinian and Arabic culture which is deeply rooted in the land, he talks of the “old poetry anthologies” and how the Arabs used to cherish poetry and the craft of language from the pre-Islamic era. He also refers to Bedouin tribes travelling in the desert. Darwish connects love with the suffering and hunger of Palestinians when he refers to his love as a “hungry man’s love to a loaf of bread”.</p>
<p>Adopting resistance was not an easy choice for Mahmoud Darwish given there was a political crisis at the time in Israel which was centred on Arabs and their involvement in Israeli political life. Many Israeli parties considered Palestinians to be a dangerous enemy accusing them of not abiding by Israeli civil laws and trying to avenge what happened in 1948. This political crisis led to the creation of a new Arab party, Jabhat Al Ard (The Land Front), which evolved from the Israeli Communist Party. Al-Ard was born out of the need to defend Palestinian identity. Many Palestinians had joined the ICP after the establishment of the state of Israel due to the party’s non sectarian ideology which Palestinians thought might be key to counter the Jewish Zionist ideology. In 1959 Jabhat Al Ard published its first journal, benefiting from an Israeli law which allowed individuals to publish one journal a year. In the same year, Al-Ard published twelve more journals using different names. The last of which was after Nasser’s victory in the Suez crisis (1956). Al-Ard published details of the Israeli defeat and pictures of the Egyptian leader. This journal shocked Israeli officials who did not expect Al-Ard to find such a loophole in the Israeli law. But Israeli officials arrested Al-Ard’s writers and deported its editors.</p>
<p>During that time, love poetry developed to express Palestinian nationalism in a more metaphorical way. One of the important themes which developed out of the love theme was the motherhood topic and its symbolic reference to home. This celebration of land and referring to it as a mother was a necessity in Palestine in the twenty years following the Nakba; it provided an easier connection between social and national themes. This is demonstrated in one of Mahmoud Darwish’s poem Ila Ommi “To Mother”. This poem, published in the same anthology A Lover from Palestine, is considered to be a core pamphlet in the building of the literature of resistance. This is because of the writer’s ability to connect both the theme of motherhood and nationhood at times when writing about the latter could lead to imprisonment.</p>
<address>I yearn for my mother’s bread</address>
<address>My mother’s coffee,</address>
<address>My mother’s touch</address>
<address>And childhood grows inside me</address>
<address>Day upon breast of day</address>
<address>And I love my life because</address>
<address>If I died</address>
<address>I’d feel ashamed because of my mother’s tears</address>
<address>Take me (mother), if one day I return,</address>
<address>As a veil for your lashes</address>
<address>And cover my bones with grass</address>
<address>Baptised by the purity of your heel</address>
<address>And fasten my bonds</address>
<address>With a lock made of your hair</address>
<address>With a piece of thread that trails in the train of your dress</address>
<address>Maybe I’d become a god</address>
<address>A god I’d become</address>
<address>If I touched the depths of your heart</address>
<address>Put me, if I return,</address>
<address>As fuel in your cooking stove,</address>
<address>As a clothes line on your rooftop</address>
<address>For I have lost resolve</address>
<address>Without your daily prayer</address>
<address>I have grown decrepit: Give me back the stars of childhood</address>
<address>That I may join</address>
<address>The young birds</address>
<address>On the return route</address>
<address>To the nest of your waiting (Darwish, 1996)</address>
<p>Referring to the bread and coffee being emblematic of Palestinian daily culture, it gives a picture of a peasant woman waking up early to prepare bread for her children. Bread is eaten in almost every meal or at least for breakfast and dinner. Therefore, to start a poem talking about mothers with a reference to bread making is to highlight the existence of different people who cherish their own cultural norms, which are different from the new majority in the new Israeli state. Even coffee is more of an Arabic drink than a European one (indeed, the English word &#8216;coffee&#8217; comes from the Arabic &#8216;Qahwa&#8217;.)</p>
<p>By connecting Palestinians and motherhood, Darwish was able to present Palestinian cultural identity in a way which Israelis would not be able to punish him for. The poem continues into stronger images of both motherhood and “Palestinianism” or “Arabism” when the poet talks about the beauty of the Arabic woman while veiling her face. The image of a woman veiling her face has recently been connected with extremism, however, in the Arabic culture veiling the face is a way of flirting between men and women. When a woman wants to flirt with a man in the Arab world, she often veils her face to show the beauty of her eyes. It is these images of Arabic culture that the poet is focusing on to bypass Israeli rules. “Put me as a cloth line on your roof top” is a powerful image of how children should be obedient to their mothers and tolerate their mistakes. This image brings to Palestinians their Muslim culture when highlighting the same orders of the Quran which stress the importance of obedience to one’s parents.</p>
<p><a href="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish2.jpg"><img class="aligncenter size-full wp-image-586" title="LEBANON-PALESTINAIN-DARWISH" src="http://ceasefiremagazine.co.uk/wp-content/uploads/darwish2.jpg" alt="" width="619" height="390" /></a></p>
<p>The more Darwish renewed the call for resistance, the wider his readership grew and spread across the Arab world. His efforts brought the attention to Palestinian suffering which started to become less important and restricted to refugees and the political divisions between Arab countries. It was in these circumstances that the Al-Hadatha# literary school was born in Palestine. Darwish along with other writers such as Emile Habebi (1992-1996) looked for a form of literature that would communicate the national struggle to a wide audience. He found that writing in traditional poetry was too vague and did not deal with the details of the Palestinian catastrophe. Traditional poetry, in the school’s opinion, focused more on the aesthetics of language and the craft of writing poetry, and did not give writers the freedom to express the changes in their new environment.</p>
<p style="text-align: left;">Al-Hadatha developed more in Palestine as the struggle for civil rights continued after 1948. Its development came as a result of the Israeli government imposing censorship on Arabic publications particularly on those discussing Palestine and the theme of homeland. This was not only done through close watching of publications but also through creating an uneducated Palestinian population by preventing the establishment of any Arabic school. Even in Jewish/Israeli schools the number of Arab students was restricted. Between 1955 and 1965 the number of Arab students in secondary schools was three per cent . There was only one hundred Palestinian students in higher education institutions. In this period, the Israeli government opened a few elementary schools for Palestinian students but the school curriculum was censored and restricted. The Israeli government banned anything that mentioned Palestine or its history. It also banned Islamic studies which present Jerusalem as an important part of Muslim identity – a subject highly relevant to the Zionist case for creating the state of Israel. In order to bring more Jewish immigrants from across the world, “an imagined community” idea was formulated. The Zionist narrative insisted that Jews were the legal heirs to Palestine and that they had were deported from it two thousand years ago by the Romans. It also claimed that Muslims, seen as subsequent invaders of the land, should therefore be thrown out.</p>
<p>In secondary schools, Palestinian students were treated with negligence. Teachers did not check whether they did their homework and reviews on the development of Arab students were not conducted. This is in addition to the fact that Palestinian students were learning in a new foreign language. About ninety per cent# of Palestinian students at the time left their studies before reaching secondary school in order to support their families and because teaching standards were low. Only the remaining ten per cent succeeded in their studies and not all of them could afford to go to University. Those who managed to reach universities were faced with serious harassment by their colleagues and teachers. Even after this very small minority graduated from university, they faced the challenges of finding a job of their interest within a government which considered them as second class citizens. This situation led to a dearth of education in Palestine and therefore a lack of literary production amongst both the intelligentsia and the public: both were more concerned about living than writing.</p>
<p>Darwish and other writers had to devise a form of literature which would be free of the restriction of the traditional way of writing poetry. This new form had to be easy but sophisticated enough to address the issues that the Nakba created. These issues were mainly represented in the loss of identity as Palestinians were no longer recognized as citizens of any country (to this day, most Palestinians are regarded as stateless). Therefore, Palestinian writers used Al-Hadatha to help them revive the literary movement in Palestine which allowed writers to express their views freely without following any particular method. While the literature of resistance laid down the basis of the new school, other themes became influenced by the new writing style allowing Al-Hadatha to be the dominant literary movement in the region.</p>
<p>In 1969 Mahmoud Darwish was the first to announce his joining of the new resistance ideology, rebelling against all Israeli censorship, when he wrote his famous poem “Write Down, I am an Arab”. This poem became a manifesto for the resistance movement for years to follow and has been read widely and sung by many generations in Palestine and the Diaspora. The strength of the poem comes from both celebrating Arabism and showing the pain involved in being an Arab.</p>
<address>Identity Card</address>
<address>Register me</address>
<address>I am an Arab</address>
<address>Card No. fifty thousand</address>
<address>Children, eight</address>
<address>The ninth will be born next summer</address>
<address>Are you upset?</address>
<address>Register me</address>
<address>I am an Arab</address>
<address>Vocation: cutting stone with comrades</address>
<address>Must cut bread, clothes and books</address>
<address>For the children, you know</address>
<address>I will never stand at your door a beggar</address>
<address>I am an Arab.</address>
<address>Are you angry?</address>
<address>I am nameless</address>
<address>Patient where everything boils with anger</address>
<address>I struck roots here</address>
<address>Before the olive trees and the poplars</address>
<address>A descendent of the plow-pushers</address>
<address>My ancestors, a mere peasant</address>
<address>No family tree</address>
<address>My home, a cottage of reeds</address>
<address>How is that for a man?</address>
<address>Register me</address>
<address>I am an Arab</address>
<address>Colour of hair, jet black</address>
<address>Eyes, brown</address>
<address>Distinguishing features:</address>
<address>A kuffia and Iqal on my head</address>
<address>Hands rock hard and scratchy</address>
<address>Favourite food: olive oil and thime</address>
<address>Address: a forgotten harmless village</address>
<address>Where streets have no names</address>
<address>And all men are in the fields and quarries</address>
<address>Is that good enough?</address>
<address>You have stolen my vineyard</address>
<address>And the land I used to till</address>
<address>You haven’t left anything for my children</address>
<address>Except the rocks</address>
<address>And I hear it said</address>
<address>That your government will expropriate</address>
<address>Event the rocks</address>
<address>Well then</address>
<address>Register first;</address>
<address>I hate nobody</address>
<address>Neither do I steal</address>
<address>But when I am made hungry</address>
<address>Then I will eat the flesh of my oppressor</address>
<address>Beware of my hunger and my anger</address>
<p>This poem comes as a turning point in the development of the Palestinian literature of resistance. It was the first poem to announce a challenge to and a refusal of the political environment that Palestinians had been living under since 1948. The poem talked not only about Arabism as a subject to be proud of, but also ended with a strong political message that encouraged people to resist. “But when I am made hungry, then I will eat the flesh of my oppressor, beware of hunger and anger” is a line which announces that Palestinian patience had run out. The poem was celebrated in Palestine but also across the entire Arab world, mainly for its celebration of Arabism before Palestinianism &#8211; a concept cherished by Arab nationalists who stressed on the primacy of pan-Arabism over regional nationalisms. The poem celebrates Arabic culture and puts it forward as being ideal regardless of the hardships Arabs face.</p>
<p>While the poem celebrates Arabic traditions and love of children, it highlights the poor economic situation created by imperialism, mainly Israeli. The poem also comes to assert Arab and Palestinian identity in a state where denial of such identity was dominant. The poet does this by highlighting even the physical characteristics of Arabs/Palestinians, different from those of the European newcomers. He talks about the colour of hair and the colour of eyes, and how identity is imperishable.</p>
<address>You have stolen my vineyard</address>
<address>And the land I used to till</address>
<address>“You haven’t left anything for my children</address>
<address>Except the rocks</address>
<address>And I hear it said</address>
<address>That your government will expropriate</address>
<address>Even the rocks”</address>
<p>This stanza also brings to the surface the main reason behind Palestinian suffering, and thus an explanation of the anger. He is telling the Israeli government that they are making it difficult for Palestinians to live anymore, and that death is their only choice. Therefore, Palestinians have to choose between resisting and trying to change this situation or waiting for their death. This is why the poem ends with a warning: be careful from pushing Palestinians towards death.</p>
<p>The literature of resistance has been the drive of many revolutions in Palestine, the latest of which is the second intifada which broke out in 2000. As well as poetry, the literature of resistance continued to grow in other genres such as novels. With more Diaspora writers, like Ghassan Kanafani (1936-1972), the literature of resistance grew and spread across to become a school attended by those have suffered the Nakba and its consequences, and who believe in the right of Palestinians for national independence.</p>
<p>Darwish continued to develop this literature of resistance even when he moved outside of Palestine. His ability to reach all sectors of Palestinian society made him Palestine’s national poet. His poems brought more sympathy towards the Palestinian cause and people through the imagery he provided of the suffering of Palestinians. His works have been translated into several languages including English, French, Spanish and Dutch and he won many international awards. In 2001, he won the Lannan prize for cultural freedom. This prize recognizes people “whose extraordinary and courageous work celebrates the human right to freedom of imagination, inquiry, and expression“. As defined by the foundation, cultural freedom is “the right of individuals and communities to define and protect valued and diverse ways of life currently threatened by globalisation”. And so, two years after his death, Mahmoud Darwish continues to be a byword for freedom, and an undying symbol of resistance, courage and sacrifice.</p>
<p><strong>Ahmed Masoud</strong> is a Palestinian academic and writer. He grew up in Gaza before moving to the U.K to study for an MA and PhD in comparative literature. He is now working as an educational consultant as well as a freelance theatre director. Ahmed has published a number of articles, book chapters and journals in various academic and mainstream publications. He also directed a number of sell-out theatre productions, including the acclaimed <em><a href="http://gotogaza.wordpress.com/go-to-gaza-drink-the-sea/">Go to Gaza, Drink the Sea</a> </em>which premièred both in London and Edinburgh, and more recently<a href="http://www.alzaytouna.org/"> </a><em><a href="http://www.alzaytouna.org/">Between the Fleeting Words</a>, </em>a tribute to Mahmoud Darwish. Masoud has also recently been commissioned to write a play for BBC Radio 4 to be broadcast in January 2011.</p>
<p><em>Notes:</em></p>
<p>1  The term Nakba means catastrophe in Arabic and it refers to the events of 1948 when 800,000 Palestinian were deported and the state of Israel was declared.</p>
<p>2  Palestinian poetess born in 1917, Tuqan is considered to be the founder of the Palestinian feminist nationalist movement which will be discussed in later chapters.</p>
<p>3  Nearest translation is modernism</p>
<p>4  Statistical Databases http://millenniumindicators.un.org/unsd/databases.htm</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2010/08/remembering-mahmoud-darwish-how-the-revolution-was-written/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Noam Chomsky: an interview</title>
		<link>http://ceasefiremagazine.co.uk/2009/09/noam-chomsky-an-interview/</link>
		<comments>http://ceasefiremagazine.co.uk/2009/09/noam-chomsky-an-interview/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 09:09:41 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=42</guid>
		<description><![CDATA[<a href='http://ceasefiremagazine.co.uk/wp-content/uploads/771430721_18e131c7f5_o.jpg'><img src='http://www.nndb.com/people/590/000022524/chomsky-close.jpg' alt='' class='alignnone' /></a>Noam Chomsky discusses Israel and Palestine, anarcho-syndicalism, China and India, the anti-war movement, and public intellectuals with Ceasefire editor Hicham Yezza. Chomsky, notes Yezza, has the unique "ability to bring out the mind of his listener out of its atrophied comfort."]]></description>
			<content:encoded><![CDATA[<h2>Introduction</h2>
<p><strong>Hicham Yezza</strong></p>
<p>Sixty books, hundreds of academic papers, thousands of lectures, interviews and talks over five continents and five decades: at 80, Noam Chomsky is an intellectual, cultural and personal phenomenon. <img class="alignright size-medium wp-image-43" title="2710276258_0c5ba48fb2_o" src="http://ceasefiremagazine.co.uk/wp-content/uploads/2710276258_0c5ba48fb2_o-256x300.jpg" alt="Noam Chomsky" width="256" height="300" /><span id="more-42"></span>Yet the more interesting thing about the man is probably the fact that he seems completely unfazed, when not downright irritated, at his status as the &#8220;Elvis of Academia&#8221; (as U2&#8217;s Bono calls him).</p>
<p>Thousands of pages have already been written about the man&#8217;s personal and intellectual journey from teenage prodigy to acclaimed scholar and the world&#8217;s foremost public intellectual. However, September 2008 is a good month to be taking a look at the man&#8217;s achievements and positions on the economy. As far back as the late 1960s, Chomsky mounted a robust attack on the economic tenets of unregulated market capitalism. In particular, he denounced the corporate habit of whining about too much government control when the economic going is good only to protest at the need for the government to &#8220;intervene&#8221; to assist (i.e. bail out) those same corporate interests when the going isn&#8217;t so good.</p>
<p>Those who have been observing at close range the unfolding economic disaster on Wall Street and beyond this past year have noted the powerful parallels between the Chomskyan critique of corporate greed and the predictable cries for help emanating from Lehman Brothers, Merrill Lynch and other stalwarts of Market Capitalism.</p>
<p>When Lehman Brothers filed for bankruptcy in Mid-September, straight-faced analysts and business leaders expressed shock at how the company was &#8220;allowed to fail&#8221; by the federal authorities. A peculiar formulation that you are unlikely to see used when talking about blue-collar workers &#8220;allowed&#8221; to be made redundant. The incredible assumption of course, was that the tax payer was supposedly a stakeholder (as management-speak has it) in a corporation&#8217;s survival when is in trouble but should be a mere bystander when multi-billion dollar profits are being raked in.</p>
<p>Chomsky&#8217;s &#8220;academic&#8221; work is now seminal and whether you agree with its tenets or not, it is undeniable that he has reshaped (indeed, fundamentally altered) the face of linguistics and cognitive theory. There is a common tendency to dismiss his non-linguistics forays into nedia criticism, political theory and foreign affairs as naïve, simple-minded and extremist. But it is precisely those efforts that have highlighted his continued relevance as a master expositor, analyst and educator. It is easy to underestimate the impact of his demystifying, no-nonsense approach as a writer and speaker on generations of activists, intellectuals and readers. But his attack on the academic disease of fetishising &#8220;language as obfuscation&#8221; has been very effective in exposing the growing tendency of academic circles to establish intellectual niches seemingly inaccessible to the layman/woman (and, as Chomsky has shown repeatedly, often deliberately so) by creating unsurmountable barriers of entry to those members of the public without the necessary qualifications or bona fides: obscure jargon, layers of intellectual meta-structures to mask simple (rather than simplistic) truisms and a taste for the convoluted and the oblique (notably his attack on certain exponents of postmodernism and literary theory).</p>
<p>Whether he is seen as a prophet or a charlatan, Chomsky certainly leaves very few indifferent. And it is this ability to bring out the mind of his listener out of its atrophied comfort that continues to excite and stimulate. In his interview with Ceasefire &#8211; the first of two parts &#8211; you can see the trademark rigour, intellectual honesty and genuine humility that have characterized his life and his work. His profile as the &#8220;world&#8217;s greatest intellectual&#8221; (a formulation he has incidentally denounced as meaningless) certainly shows no signs of diminishing. Whenever a major crisis erupts (9/11, The Iraq War, The Georgian War), or a major event takes place, Chomsky&#8217;s opinion on the matter is always quickly solicited (and dissected) by disciples and foes alike. This is as good a definition of &#8220;being relevant&#8221; as you&#8217;re likely to find.</p>
<p>Ultimately, whether as oracle or as nemesis, Chomsky&#8217;s relevance is set to continue for many decades to come. As far as we&#8217;re concerned: Amen to that!</p>
<p><!--more--></p>
<h2>The interview</h2>
<p>August 18, 2008</p>
<p><strong>Is a two-state solution to the Middle-East conflict still possible? Edward Said ended up supporting a binational-state position.</strong></p>
<p>A two-state settlement in accord with the very broad and longstanding international consensus remains possible.  An agreement along those lines was almost reached at Taba Egypt in January 2001, the one significant departure of the US and Israel from the rejectionist stand that has been primarily responsible for undermining this outcome.  And though there have been changes for the worse since, they are not irreversible.</p>
<p>My own view, since I reached political consciousness in the 1940s, is that a binational state would be the most reasonable solution for all concerned.  From 1967 to the mid-1970s, steps could have been taken towards federalism and in the longer term binationalism.  I wrote and spoke about the matter quite extensively at the time.  By the mid-1970s, that opportunity was lost, and the only way to approach federalism and closer integration is in stages, the first stage being a two-state settlement.  It is intriguing that when the proposal was feasible, it elicited utter outrage, but now that it is not feasible (except as a late stage in a long-term project), it is welcomed within the mainstream (New York Times, New York Review, etc.).  The reason, I suspect, is that the proposal is basically a gift to hard-line rejectionists, who can claim that &#8220;they want to destroy us&#8221; so we had better take all we can.</p>
<p>We should attend carefully to the crucial distinction between proposal and advocacy. We can propose that everyone should live in peace and harmony.  It rises to the level of advocacy when we sketch a feasible path from here to there.  The only advocacy of a binational state that I know of is the one I described: in stages, beginning with a two-state settlement.</p>
<p>Supporters of a one-state settlement often argue that if Israel takes over all of Palestine, it will face an internal struggle for civil rights resembling the anti-apartheid movement.  That is an illusion, however.  Israel and the US can simply persist in their current programs of incorporating whatever is of value to them within Israel, while taking no responsibility for Palestinians in the scattered fragments that remain, and leaving them to rot and turn on each other, as is happening in Gaza.</p>
<p><strong>Do you think there is a real chance that anarcho-syndicalism will ever be implemented on a large scale?</strong></p>
<p>Prediction in human affairs is a very uncertain enterprise.  Too much depends on will and choice.</p>
<p>There is also little point in speculation.  Those who regard these ideals as worth pursuing should do what they can to lay the basis for implementing them, whatever their (necessarily uninformed) guesses as to the likelihood of success.</p>
<p><strong>Do you agree that the 21st century will be dominated by the rise of China and India? If so, would this be a positive or negative development?</strong></p>
<p>Looking over a long historical stretch, China and India are now beginning to recover their leading role in the global economy up to the 18th century, before they were crushed by Western (later also Japanese) imperialism.  It is highly questionable, I believe, whether they can return to anything like the status they once had.  Both countries face enormous internal problems, social and environmental.  As one illustration, in the latest Human Development Index China ranks 81st and India 128th (about where it was when the neoliberal reforms were initiated 15 years ago).  That is only one indication of very severe problems, which it will not be easy to overcome.  Any progress they make should be, on balance, a positive development, though the world is too complex for any simple judgment.</p>
<p><strong>Do you think the global anti-war movement has failed to achieve a critical mass of support over the past five years?<br />
</strong><br />
The notion &#8220;critical mass&#8221; is not well enough defined to respond.  It has registered achievements as well as failures.  Take Iraq.  It has failed to bring the war to an end, but it has succeeded in preventing US escalation to anything remotely like the level of Vietnam.  The &#8220;why&#8221; question would require a lengthy disquisition, not a brief response.</p>
<p><strong>Does the term &#8220;public intellectual&#8221; still carry any meaningful weight in the 21st century? do they have a role to play?</strong></p>
<p>As much as ever.</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2009/09/noam-chomsky-an-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why proportional representation helps the BNP</title>
		<link>http://ceasefiremagazine.co.uk/2009/05/why-proportional-representation-helps-the-bnp/</link>
		<comments>http://ceasefiremagazine.co.uk/2009/05/why-proportional-representation-helps-the-bnp/#comments</comments>
		<pubDate>Thu, 21 May 2009 22:29:36 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=79</guid>
		<description><![CDATA[<strong></strong><img class="alignright" style="float: right;" src="http://www.pinknews.co.uk/images/bnp2.jpg" alt="BNP" width="200" height="240" />"All it will take for the BNP to win seats at the European Parliament," writes Andrew Gibson, "is for them to mobilise (already happening) and for UKIP to do less well (likely). In a sense, the d'Hondt voting system is too democratic. By compromising with minority parties, it gives the oxygen of publicity to fascists."]]></description>
			<content:encoded><![CDATA[<p><strong>Andrew Gibson</strong></p>
<p><strong></strong><img class="alignright" style="float: right;" src="http://www.pinknews.co.uk/images/bnp2.jpg" alt="BNP" width="200" height="240" /></p>
<p>Proportional representation, like freedom of speech, is a chum of demagogic racism. The BNP have aimed their sights at this alien electoral system in the June EU Parliament elections and for good reason: just 9% of the vote in the North West  would give them a realistic chance of winning their first ever Parliamentary seat (they polled 6.4% last time).</p>
<p>The BNP have been making ground in local elections, now with 56 councillors on principle local authorities. In most by-elections they have contested this year, they have significantly increased their vote share. In an deadening victory in the formerly safe Labour ward of Swanley St. Mary&#8217;s in Sevenoaks, Kent, they increased their vote share by 41.8%. It is not uncommon to see the BNP come second or third in local elections. By combining their core vote and the raspberry (or &#8216;Fuck You&#8217;) vote, they have been taking a similar electoral role to the Liberal Democrats. This new popularity, combined with an electoral system that rewards minority parties, lubricates their chances of gaining MEPs in June. This matters because the more power they get, the less taboo they are. This nation of quiet racists will feel less shame at the ballot box.</p>
<p>There are broad similarities between local and European elections in the way they are contested and the way people vote. Traditionally, the turnout is low and the anti-government vote high. Minority parties flood pliable areas with resources, to maximise their chances of getting somebody elected. This is what the BNP are doing in the North West and West Midlands. On top of an intense, repetitive canvassing and fund raising campaign, their advertising has been audacious. This includes use of mobile adverts demanding British jobs for British workers, known as &#8216;Truth Trucks&#8217;, and promotional stalls in every town centre in Cumbria and the Black Country. Their Fuhrer, Nick Griffin, tops their list of candidates in the North West region and their Deputy Fuhrer, Simon Darby, tops the list in the West Midlands. Though EU enlargement means less seats to go around, they still have a healthy chance; in the former region they missed a seat in the 2004 elections by 1.5% of the vote share, in the latter their shortfall was 1.7%. Mr. Griffin has stepped down from his usual duties to concentrate solely on the European elections. This has primarily involved fund raising road shows, giving speeches comparing the BNP&#8217;s electoral campaign to the 1940 Battle of Britain. He also just released a video of himself at the Whitehall Cenotaph, conflating donation to the BNP&#8217;s campaign fund with  honourable sacrifice in a World War. This hallucinatory rhetoric will resonate with some.</p>
<p>To conclude, all it will take for the BNP to win seats at the European Parliament is for them to mobilise (already happening) and for UKIP to do less well (likely). In a sense, the d&#8217;Hondt voting system is too democratic. By compromising with minority parties, it gives the oxygen of publicity to fascists.</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2009/05/why-proportional-representation-helps-the-bnp/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Gavin Hayes &#8211; Can Labour be saved?</title>
		<link>http://ceasefiremagazine.co.uk/2009/01/gavin-hayes-can-labour-be-saved/</link>
		<comments>http://ceasefiremagazine.co.uk/2009/01/gavin-hayes-can-labour-be-saved/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 03:35:26 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=56</guid>
		<description><![CDATA[It is now a common assumption that Labour is in a state of collapse. Yet there are those, like as the influential pressure group Compass, who think it can be saved. Gavin Hayes, its General Secretary, spoke to Musab Younis about the super rich, Thatcher and revolution.]]></description>
			<content:encoded><![CDATA[<p><strong>Musab Younis</strong></p>
<p>A brief flitter of a long-lost independence surfaced in the ranks of Labour MPs this summer when over 120 of them signed up to a proposal for a windfall tax on energy companies, led by the think tank and pressure group Compass.</p>
<p>&#8220;The government could raise around six billion pounds to help people in fuel poverty this winter, but also invest the big bulk of that money into a mass national programme of home insulation,&#8221; Gavin Hayes, General Secretary of Compass, tells me enthusiastically. &#8220;Windfall tax has the support of sixty-seven percent of the population.&#8221; A progressive idea indeed, and one with huge popular and parliamentary support. Gordon Brown naturally ruled it out a few days later, after meeting with energy company executives.</p>
<p>But the temporary stirring in the midst of Labour by support for a progressive windfall tax was interesting even for those who are too cynical to ever find anything interesting about Westminster politics. This had a different air to the usual stench of career politics. For the first time in years, it almost felt like the Labour benches in the Commons seat real, compassionate people &#8211; those who might care about the many who couldn&#8217;t afford to pay their huge, and rising, bills. And it started here, in the tiny Compass office in Vauxhall, where the corridors of the shared building sometimes slope dramatically downwards, and an exposed iron lift shaft rises obtrusively through the stairwell.</p>
<p>The building is a huge nineteenth century Royal Doulton relic, which now houses a multiplicity of local businesses. The gaudy entrance has undergone an uneasy modernisation; blue neon is recessed into the ceiling, and a surly security guard insists I wait in a velvet sitting area. We are meant to have our interview in a small communal room, shared amongst the buildings tenants, but a woman is stretched out across the seats sleeping. Her sonorous presence gives it the look of an airport waiting room. &#8220;Hmm,&#8221; says Gavin, looking slightly put out. &#8220;That&#8217;s not very considerate.&#8221; Instead, we head through winding corridors to the Compass office itself &#8211; a small and bright room, with a view of the Thames, crammed with a few desks, newspaper cuttings on the walls, and one staff member typing away. As we talk, she often answers the phone, at which point we compete to be heard.</p>
<p>Yet this small office &#8211; itself, born of a single desk at the wealthier think tank Demos &#8211; is deceptive. Since its foundation in 2003, one could almost say that Compass has been the only serious countervailing force to Labour&#8217;s inexorable swing to the right. Sure, others have talked and complained. But with influential backing, Compass has put out nineteen publications, organised high-profile conferences, and enjoyed a steady stream of press coverage &#8211; all based on the idea that, as Gavin tells me: &#8220;We want to create a more equal society, and a more democratic society.&#8221; There&#8217;s more, too; phrases which sound terribly radical this close to Westminster. &#8220;I think Gordon Brown needs to put a stop to this ‘marketisation&#8217;,&#8221; for one, and: &#8220;You need greater redistribution &#8211; you can&#8217;t just leave it to the market&#8221;, for another. The Compass ‘Programme for Renewal&#8217; (titled ‘The Good Society&#8217;) also states in no uncertain terms that whilst &#8220;New Labour has achieved important reductions in poverty, and has managed to implement a number of socially liberal measures&#8221;, it &#8220;has never made a serious challenge to neo-liberalism by seeking active political support for an alternative, democratic &#8211; and hegemonic &#8211; vision of the good society, because it has only ever wanted to ‘modernise&#8217;.&#8221; Thus, &#8220;unaccountable and unacceptable concentrations of wealth and power have therefore not only remained untouched, but have been encouraged.&#8221;</p>
<p>The economic crisis is an opportunity, says Gavin, to build a new progressive economic consensus. &#8220;It is now profoundly clear that all the answers to the problems in the world today demand collective state intervention,&#8221; he says, &#8220;be it the massive failure of the banking system we are witnessing before our very eyes or climate change.&#8221; Echoing what some have been saying for decades &#8211; and what many have realised only recently &#8211; he tells me that &#8220;all of these problems have been magnified as a result of unregulated financial markets, fuelled by the sorts of obscene bonuses paid in the city. Of course, the real people who pay the price for the actions of reckless and thoughtless bankers are the every day person on the street &#8211; through higher mortgage rates, living costs and job losses. It is clear that neither New Labour nor the New Conservatives have the narrative or the answers to any of these problems.&#8221; It&#8217;s almost like Labour &#8211; with substance. Dare we even say ‘Old Labour&#8217;?</p>
<p>&#8220;We&#8217;re not affiliated to the Labour Party,&#8221; Gavin insists. &#8220;We are a progressive organisation which works with people on the centre-left. Yes, we try and influence the Labour Party, because they are the only party in this country that subscribes &#8211; in its constitution at least &#8211; to democratic socialism. But that doesn&#8217;t mean we can&#8217;t work with other people outside of the Labour Party.&#8221;</p>
<p>The point is not that Compass occasionally thinks or says ‘progressive&#8217; things. That wouldn&#8217;t set it far apart from a blog, much less a think tank. It&#8217;s that Compass, for a fleeting moment at least, started to look like it could actually exert some influence. &#8220;We always bill ourselves as more pressure group than think tank,&#8221; explains Gavin. &#8220;Simply because there&#8217;s a lot of ideas out there.&#8221; He pays tribute to the forward-thinking of other think tanks, like Demos. &#8220;But what was lacking, and where Compass plays its role, is as a pressure group &#8211; an organisation to actually push forward some of these policy ideas and campaign for them.&#8221;</p>
<p>For many, the idea that there is any point in lobbying the Labour Party, and trying to influence its members, seems strange. For one thing, the party now looks remarkably out of touch, even with its own members. There is a clear and shrinking group of people with influence on policy. Many members of this tiny elite have never been elected, and are brought on as ‘advisors&#8217; in an American-style staffing system. Even the elected stand to benefit monetarily from the policies they enact, through a revolving door system that guarantees them corporate jobs with six-figure salaries once they are removed from public office. For another thing, the democratic deficit of the political system has become so obvious that it can seem absurd to expect Labour &#8211; even if it were somehow to democratise from within &#8211; to win another election. We have now witnessed the spectacle of the Conservative party branding itself as the party of social conscience. &#8220;It&#8217;s fair to say that the right have taken the language of the left,&#8221; Gavin tells me. &#8220;They&#8217;ve taken the progressive language. But I don&#8217;t think they have the policies that can deliver a fairer society. They&#8217;re still chained to market mechanisms and market policies to deliver what they want.&#8221;</p>
<p>So they haven&#8217;t got the policies that can deliver their rhetoric. But what does it matter? Their policies are the same as Labour&#8217;s anyway. There exists practically zero choice for the electorate in issues that count &#8211; like stopping the spread of privatisation, to take a key example. &#8220;It depends whether or not Gordon Brown is willing to stand up and say that these Blairite pro-market reforms are not the right direction for the Labour government to be pursuing,&#8221; says Gavin. And this, it seems, is where Compass differs from the rest of the critics. They genuinely believe in a Labour that most people have forgotten about. Gavin insists that there&#8217;s an internal debate in the party about its future direction, aside from the bickering over leadership. With privatisation, Gavin tells me, Compass has put forward alternatives like co-production, which are based on a vision of modernisation without the need to resort to damaging market forces. Labour could well adopt such ideas. In what looks like its dying years, it seems there are those who believe Labour could radically redeem itself.</p>
<p>It can sound surprising, in the context of the country&#8217;s resigned acceptance of Cameron as the inevitable PM-in waiting, to hear Gavin talk about influencing Gordon Brown. He remembers the muted hopefulness at Blair&#8217;s resignation &#8211; &#8220;When Gordon Brown first took over as Prime Minister, there was talk about more democracy at a local level. There was talk of ensuring the House of Lords is properly democratised, and there were positive policies that were put forward.&#8221; So what happened? &#8220;It is possible to win support within government for mainstream left-of-centre polices,&#8221; insists Gavin. &#8220;But it does require a boldness on the part of the Prime Minister to push these policies forward. So the job of Compass is to try to create the space for the debate to take place, and to try and push forward some of these arguments and change the terms of the debate, and try and get some of these policies enacted.&#8221;</p>
<p>The idea of enacting real change by asking Gordon Brown to be bold could be labelled hopeless, but some might even see it as counterproductive. Many on the left have an issue with the ‘third sector&#8217; &#8211; think tanks, and pressure groups, because they see them as stifling real working-class organisation. They fill the space, it is said, which should be taken up by unions and grassroots organisations. An article on ‘Socialist Unity&#8217; asks where Compass is going, and glumly concludes: &#8220;The gyrations of the leading Compass MPs suggests that grubby compromise and caving-in to the authoritarian guardians of the corporate interest of New Labour will be the result.&#8221; One person even comments: &#8220;Compass is merely the left cheek on the arse of New Labour.&#8221;</p>
<p>Does Gavin think Compass is a counterrevolutionary force? &#8220;I think what you&#8217;re talking about is probably, sort of ‘hard left&#8217; elements,&#8221; he says. &#8220;The fantastic thing about Compass, and all the work we do &#8211; whether it was our big national conference that we held in June on equality, or whether it was the campaign that we&#8217;ve just been running on the windfall tax, or on Trident, when we opposed the government on Trident &#8211; we put together progressive coalitions of a whole range of organisations. So that includes trade unions, it includes MPs, it includes NGOs like Friends of the Earth, or Liberty, broad coalitions of different organisations, different interest groups, poverty groups, and so on. Actually for us, having all those groups and bringing them all under the one umbrella is a huge strength.&#8221; I&#8217;m intrigued. Does that mean, ideologically, he&#8217;s opposed to revolution? &#8220;I&#8217;ve always believed in the democratic process,&#8221; he tells me diplomatically. Does that include democratic control over economic resources? Gavin thinks for a minute. &#8220;I think there&#8217;s certainly a case in some instances for certain sections of society to be publicly owned and within the public realm. There&#8217;s certainly a strong case for a strong public realm to counteract the market.&#8221; He cites the example of the railways, which &#8220;clearly should be nationalised&#8221;. And &#8220;there are perhaps other sectors as well, where we could look to ensure they&#8217;re in the public realm, and not in the private sector.&#8221;</p>
<p>Gavin, like many of today&#8217;s younger idealists, was politicised during the Thatcher years. &#8220;My parents were quite political,&#8221; he tells me. They hated the Thatcher government &#8211; &#8220;not least because Margaret Thatcher imposed the poll tax, and at the time my parents, from working class backgrounds, couldn&#8217;t really afford the poll tax.&#8221; The memory clearly lingers. &#8220;I do remember the bailiffs knocking on our door because my parents hadn&#8217;t paid the poll tax. I guess that&#8217;s what made me political &#8211; it was through all those awful things that happened in the 1980s, the riots and everything else.&#8221; He joined the Labour Party at 16, studied politics at college, and went to university. &#8220;When I left university I got a job working for a left-of-centre think tank,&#8221; he says. &#8220;And I&#8217;ve worked in politics ever since.&#8221;</p>
<p>You could say that Compass&#8217;s attempts to create a genuine debate in an organisation like the Labour Party are utterly futile. You might argue that it is only when Labour has accepted electoral defeat that it allows itself even to think about principled, democratic socialism. In government, you could argue, the party is just as heavingly corrupt as the Chancery Court in Dickens&#8217;s Bleak House; full of the self-obsessed fawning after power; full of career politicians making a mockery out of the idea ‘representative&#8217;. You might even wonder why Compass operates. But if you do, Gavin has a simple answer, and it has an elegance to it that suggests he is quite serious. &#8220;Because ideas on their own aren&#8217;t enough,&#8221; he says. &#8220;You need to organise for them.&#8221;</p>
<p><em>This piece was published on the <a href="http://www.compassonline.org.uk/news/item.asp?n=3278">Compass website</a> in October 2008</em></p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2009/01/gavin-hayes-can-labour-be-saved/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Michael Albert &#8211; On the death of capitalism</title>
		<link>http://ceasefiremagazine.co.uk/2009/01/michael-albert-on-the-death-of-capitalism/</link>
		<comments>http://ceasefiremagazine.co.uk/2009/01/michael-albert-on-the-death-of-capitalism/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 03:30:11 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=55</guid>
		<description><![CDATA[Musab Younis
Michael Albert is a renowned activist, speaker and writer who was elected President of the MIT student body during the 1960s, and expelled for his vocal and direct anti-war activism. He is the co-founder of ZNet, an independent media centre which incorporates the successful, ad-free magazine ZMag. Albert is perhaps best-known for his vision [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Musab Younis</strong></p>
<p>Michael Albert is a renowned activist, speaker and writer who was elected President of the MIT student body during the 1960s, and expelled for his vocal and direct anti-war activism. He is the co-founder of ZNet, an independent media centre which incorporates the successful, ad-free magazine ZMag. Albert is perhaps best-known for his vision (along with radical economist Robin Hahnel) of a participatory economy – or ‘parecon’ – as an alternative to market capitalism, market socialism or centrally-planned socialism. Parecon has rapidly taken primacy in the economic vision of libertarian socialism. “What parecon achieves,” says Albert, “is to facilitate each producer and consumer having a say in economic outcomes proportionate to the degree those outcomes affect him or her (self management), via social structures which promote mutual solidarity and shared interests, which advance diverse patterns of behaviour and outcome, and which attain distributional equity both of circumstances and of income.”</p>
<p><strong>I am a student, it’s 8am on a Monday, and I have £10 ($20) in my pocket. What can I do, today, to get us closer to parecon?</strong></p>
<p>Well, there is no one thing, rather many things, that people can do to reach most complex and large scale goals &#8211; and that is true for parecon, too. As a new type economy, involving new institutions replacing those familiar now, parecon is not something arrives in full, overnight. The hardest steps, in many respects, are the early ones. Some key facets of winning parecon, or by analogy any major social changes, are: developing a large group of informed advocates, developing instances of pareconish institutions, moving the left toward a pareconish commitment &#8211; not only rhetorical, but in our own organizations and projects &#8211; and developing changes in existing institutions that not only better people’s lives now, but also to move toward parecon and establish conditions for winning further gains on the same path.</p>
<p>That said, all kinds of activity are possible, though none are incredibly quick, so to speak. One can inform oneself about the main facets of the new vision, becoming ever more able to develop its contours, and, especially, to communicate about it to others, providing people an inspiring and compelling picture that leads, in turn, to their doing likewise to others. One can, having become well informed and able to communicate &#8211; whether in print, or verbally, or video, or however &#8211; spreading related insights. One can embark on creating pareconish projects and institutions, workplaces in particular. One can make a case for and seek to inspire existing left projects and institutions to adopt a pareconish make over in their structures, themselves becoming pareconish. One can create movements to win changes in any/all social arenas that elevate awareness of pareconish aims, and develop momentum for them, while bettering people’s lives, now.</p>
<p><strong>Do you think the age of grand, unifying theories is over? Have we been left with thousands of little theories dealing with various aspects of the modern world?</strong></p>
<p>What does that mean, grand unifying theories? I am not sure.</p>
<p>Take a different realm. Are our theories of biology, physics, etc. etc. grand unifying theories? If they aren’t, then there are none, anywhere and your question answers itself. If they are, and one could have them more or less by analogy for social realms, then all it means is can we have shared sets of ways of understanding and knowing and making predictions about, and, in the social realm, also having aims regarding various parts of social life? Well, put that way, sure, we can have that. It doesn’t mean no diversity, and it doesn’t mean homogenized minds, in a social context any more than it implies those bad results in the harder sciences.</p>
<p>I think the question arises from schools of thought that say something like this &#8211; grand unifying theories lead to myopic, sectarian, coercive projects that violate our aspirations, dull our creativity, regiment our inclinations and in time our behaviors, and thereby make winning a truly liberated world impossible.</p>
<p>And I think that bad outcomes like that are certainly possible, yes &#8211; so the shared ideas we seek need to be sought in ways that counter all those bad possibilities, and the shared ideas we seek need to themselves be contrary to those outcomes, too. People with a shared theory, grand or otherwise, or shared vision, or shared strategy, can be myopic, can be inflexible, can try to impose their even coercively, even on allies, even on themselves, and so on, to the worst imaginings possible. That is true, but notice, that does not say that such outcomes are inevitable. It says they are possible. It seems to me, and it seems the sciences show this, that it is also possible to pursue shared concepts, vision, and strategy, with an open and critical attitude, with a manner opposite to sectarianism, with a commitment in the shared ideas themselves and in the associated practice to pursue participation, to pursue an anti-authoritarian process and aims, etc.</p>
<p>I believe that efforts to transform modern societies into a much better future, transformative efforts, therefore, will be fueled by, informed by, oriented by, frameworks of comprehension of the present, shared goals for the future, and, in time, also shared strategies of change. To me that seems utterly obvious.</p>
<p>But then, in a country with, say, 100 million adult citizens, if we take that observation just one step further &#8211; and it is of course only a guess, we don’t know &#8211; it seems to me it suggests that a movement to create a truly participatory future, not one dominated by new elites, would require about 30 million of those 100 million people to be self consciously committed to and, more, highly informed and aware about, the aims of a mass movement. For informed participation and self management, there must be &#8211; well &#8211; informed participation and self management &#8211; and that means members seeking change who understand the goal, who are themselves the leaders people often seem to be waiting for. Then, yes, there would be many millions more, supporting, but not so deeply enmeshed in the project. Now if that is true, or even very roughly true, as in you think it would take twice as many people, or maybe only half as many, deeply and self consciously involved, then in any case, and any remotely plausible picture, we are talking about, before fully winning a new society in which there is real self management, having incredibly large and insightful collections of committed people on the move, seeking broadly the same future.</p>
<p>So I don’t know what a grand unifying theory is &#8211; but I think movements to overcome modern industrialized mass societies and attain what we might call a new type of participatory society, in my view including participatory economies, will certainly have unifying shared concepts, unifying shared vision, and unifying shared strategy. The trick is to have all this with participation, without new elite domination, and without sectarianism.</p>
<p><strong>Noam Chomsky has influenced a generation, but especially, it seems, many of those who have known him personally for a long time. Can you tell us what the difference or divergence of views is between you and Chomsky?</strong></p>
<p>Noam and I have been close friends for 40 years. There aren’t a lot of big differences, mostly only that we occupy ourselves in different ways and he is, well, Noam, which makes him different than pretty much everyone in various respects. He focuses mostly on international relations and, also, the domestic institutions at their roots, and then he branches out to domestic institutions in general, as well &#8211; in both cases overwhelmingly trying to reveal causes of injustice and explain plausible immediate possibilities, and to motivate rejection of injustice. I do that too, to a degree, but I tend to focus more on trying to myself formulate and also to inspire and help others to formulate vision &#8211; meaning institutional goals &#8211; and associated strategy as well. I do it more in the economics domain, but elsewhere as well.</p>
<p>As to significant differences with Noam, in Noam’s earlier years, say back in the sixties and early seventies, which is also when I was his student, he was quite strong about the need for shared vision to galvanize and orient effective opposition, even urging work in that direction. In fact, I think I was probably influenced by his calls for that sort of creativity. Later, he became somewhat skeptical, I think it is fair to say, of that effort feeling despite its potential benefits, too often such attempts tend to extend into silly blueprints, sectarian inflexibility, conjecture without basis if not sophomoric conjecture, etc. Most recently, however, I think it is also fair to say that he is moving back toward his prior views &#8211; knowing all the ill results that are possible, but now as the more predominant sentiment realizing also that shared viewpoints, including vision, is critically important and needs development and widespread involvement. This probably explains why his support for parecon has grown steadily over the years.</p>
<p><strong>Will it make any difference if Barack Obama is elected President of the U.S., and if so, does that make it worth voting (for him)?</strong></p>
<p>It is not Obama or nobody, it is Obama or McCain. So, what if you asked your question this way. Would it make a difference if the American people voted in larger numbers for McCain or for Obama. Yes, put that way I hope you agree that it obviously makes a big difference because it reveals the population is in a better place, maybe a lot better, maybe only a little better, then if McCain were more supported.</p>
<p>More, McCain and his base of support are, well, horrific even beyond the norm, and would be horrendous for humanity, even beyond the norm, until restrained, and the depression induced by his election would curtail early energy for restraint, I suspect. Obama, by contrast, we don’t know a lot about, personally, and I doubt there is much there to get excited about, unless you are excited about charisma without visible substance, with one caveat I will return to below.</p>
<p>On the other hand, Obama’s support is being elicited and then propelled based on the rubric of change and this has two very large upsides. It says change is possible, change is worth fighting for, and it aligns millions at least for the moment, for change, raising the question &#8211; how much change, and change to what? Also, you and I know that Obama isn’t going to deliver much without mass pressure on him to do so. He isn’t going to run for president, get the nomination, and then be president, if that happens, because he isn’t like others who have done so, but because he is like others who have done so. The idea he is some kind of stealth leftist is ludicrous. So, at the outset of his administration if he wins, he won’t deliver much change &#8211; just, I think, in some broad social programs and especially health care. He will let people down, as usual, in many respects, and particular regarding the war. Now what will be the popular reply. If Obama gets elected, this will be the critical deciding factor in whether it is just broadly more of the same, a little nicer (which means a lot to many people worldwide and therefore should not be dismissed as irrelevant) or the beginning of something new.</p>
<p>It could be something new, not due to Obama being some kind of tribune of change &#8211; he isn’t &#8211; but due to his constituencies deciding, on seeing that he isn’t, that they don’t care firstly about him per se, they care firstly about change per se, and they are going to keep seeking it, even against Obama’s administration. That is what we have to hope for and seek.</p>
<p>Now the caveat. There is one sense in which election of Obama, even without anything else occurring, would itself be historic and positive, again as a reflection of positive developments in the American population, but also as a spur to more. That is, of course, a black person becoming president, being voted for as president and day after day demonstrating the absurdity of racism on a very, very large stage. Anyone who says that wouldn’t be a wonderful step forward, though certainly not a final step in any respect, has a very strange understanding, in my view. And actually, the same holds but now around gender not just if Clinton had become president, but even just for her getting so close to that end. These are major indicators of a huge and even stupendous, but not yet complete, shift in consciousness and to a degree also social relations in the U.S. and they are also, themselves, events that add to that process. I know they are not irrevocable, I know they do not in themselves end racism or sexism, but they are real and substantial gains for what they say about progress to date, for the mindsets they will impact positively in the future, nonetheless, and are good, very good, in that respect. And this is so even if, as I believe to be the case, both Clinton and Obama are just more candidates of the same intellectual and moral sort as we always see.</p>
<p><strong>How do you manage to fit everything in?</strong></p>
<p>The truth is, my life is &#8211; at least when I am not traveling &#8211; at least structurally infinitely less stressful and more fulfilling and flexible than is the situation of people with wage slave jobs. There is no sacrifice involved, or little, day to day. This is another reason to try to incorporate the seeds of future relations in current practice. It makes existence more fulfilling. When I am traveling, things are different, ironically. The long trips in particular I find to be less pleasant and manageable. I’m not sure if others feel similarly or not, I haven’t really talked about this with others in similar situations.</p>
<p><strong>Is there a certain amount of futility involved in describing in detail a utopic ideal unless one explains in similar detail how to achieve it?</strong></p>
<p>First off, there is futility, and ignorance, in seeking detail in vision in any case. We can’t know, nor should we much care about, I think, or waste time even on hypothesizing about even possible detail, much less supposedly accurate detail. What matters is broad clarity about defining structures. What matters is being able to envision the defining relations of some domain &#8211; the economy in my case, most often, or the culture, or kinship, or the polity, etc. What one wants is to know those aspects that need to be communicated to inspire hope and advocacy and to inform activism so it leads where we desire. You don’t need fine details for that, but, to give an example, you do need to know, say, that we have to replace the current typical division of labor that prevails throughout society. If you don’t know you want a new division of labor, you replicate the current division of labor in your own movements and you forego any chance of winning the changes you hope for.</p>
<p>That said, I agree that even presenting what is worth presenting, a broad strokes picture of defining relations of sought institutions, is made far more valuable if one can also present a broad strokes picture of at least broadly how to attain the vision, thereby fueling and informing not only rational informed belief that a better world is abstractly possible, but also rational, informed belief that the abstractly possible better world is practically attainable, and efforts in that direction.</p>
<p>But I think it is a two step process, and while it isn’t entirely one step after the other, there are elements of that involved. You can’t have a compelling broad strategy (and strategy is even less susceptible to useful detail than is vision) until you broadly know where you are going. Example, if you don’t know where you are going, or you would be happy arriving somewhere that still has class division and class rule, you are likely to settle for a strategy that is ignorant about or even propels the interests of what I call the coordinator class above workers. But if you favor parecon, and you understand that possibility, and you instead favor classlessness, you will advocate a very different broad strategy, because you will understand that being anticapitalist doesn’t by itself imply being for classlessness.</p>
<p>So, in my mind at least, the project we face is to arrive at shared vision, and also to begin to expand its base of supporters, for lots of domains of social life, and then to also move on, with collectives of advocates and then organizations, to matters of program and strategy. Hopefully we are nearing the time for pursuing the latter project even while continuing to work on vision, as well.</p>
<p><strong>What does the current economic crisis tell us about the advantages of parecon?</strong></p>
<p>Honestly, I think not much more than we already knew.</p>
<p>Suppose you lived in a dictatorship that was, of course, rotten to the core, all the time. Suddenly something unexpected occurs and life under the dictatorship gets even worse, and the crisis afflicts wider constituencies, as well. Well its devolution does tell us that a relatively stable rotten dictatorship can hit a bump and become even worse, sure, which is another strike against it. But the dictatorship had already, even before the crisis, obviously and unquestionably a decrepit means of decision making and government, that was rejected not for its worst moments, but for its best moments.</p>
<p>The same holds for capitalism. At its best capitalism is horrific. At its worst, capitalism’s horror increases somewhat and spreads also, touching more folks, and even some who have advantage. This is not really much more of a debit compared to the constant debit of exploitation and alienation and subordination that is capitalism’s optimal norm.</p>
<p>That said, when the system starts to literally unravel it does create a different and dangerous context. If there are massive movements with high consciousness about the system’s faults and explicit desires for a better system, then dissolution may elevate those inclinations, pushing society toward new possibilities. But if that forward looking consciousness and organization is absent, then system failure can instead evoke in people a desire to return to stability by any means offered, including right wing regimentation. The latter possibility, not just the former hope, is a serious threat, now.<br />
There is a sense, therefore, in which the U.S. election, even though it is between two candidates both of whom represent the interests of empire and capital, is likely to become at least a partial indicator of the population’s inclinations &#8211; do people want to make popular and even participatory changes away from business as usual (even if the candidates, themselves, in fact, are not really about serious change), or do people want to hand over all power to a narrow elite to impose order from above? These two possible desires, even if not the candidates, are very serious, I think, and while the election won’t be definitive, it has gone up in importance in light of the crisis.</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2009/01/michael-albert-on-the-death-of-capitalism/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Norman Finkelstein &#8211; &#8216;The left is not a political force in American life&#8217;</title>
		<link>http://ceasefiremagazine.co.uk/2009/01/norman-finkelstein-the-left-is-not-a-political-force-in-american-life/</link>
		<comments>http://ceasefiremagazine.co.uk/2009/01/norman-finkelstein-the-left-is-not-a-political-force-in-american-life/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 03:27:23 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=53</guid>
		<description><![CDATA[Norman Finkelstein is a renowned scholar and author of ‘The Holocaust Industry’ and ‘Beyond Chutzpah.’ Hicham Yezza asked him about the Israel-Palestine conflict, Iran, and Obama.]]></description>
			<content:encoded><![CDATA[<p><strong>September 2008</strong></p>
<p><strong>Is a two-state solution still viable?</strong><img class="alignright size-medium wp-image-54" title="2485378963_9ab33083ed_o" src="http://ceasefiremagazine.co.uk/wp-content/uploads/2485378963_9ab33083ed_o.jpg" alt="" width="254" height="169" /><br />
The two-state settlement is viable if Israel wants it to be viable.  Settlements can be evacuated, and land swaps are possible where settlements remain in place.  If the two-state settlement is not viable, then it is for Israel to declare, in which case Palestinians will have no alternative except to seek a unitary state.  Politically it is not prudent for Palestinians to appear to be the “spoilers”of a two-state settlement, which is supported by the whole of the international community.</p>
<p><strong>Do you think threats to academic freedom are reaching dangerous new heights?</strong><br />
I do not see serious new threats to academic freedom in the United States.  Few professors are denied tenure for political reasons.  Most tenure-track professors know exactly what they need to say and what they need not to say in order to get tenure.  This is true as a general rule, not just when it comes to the Israel-Palestine conflict, although the range of permissible academic discussion on the Israel-Palestine conflict is perhaps narrower.  It’s in the nature of academic life that by the time a professor gets tenure, he or she has been morally and intellectually neutered.  The process begins already in graduate school, when you learn what are the “respectable” journals and publishers, etc.</p>
<p><strong>How do you think Israel will respond to the ‘Iran problem’?</strong><br />
I do not believe Israel has a military option, and it cannot do anything without support from the United States.  So, the question is how will the US respond to the “Iran Problem”?  Again, it does not seem that the US has a military option, although it is possible that if Obama gets elected, Bush-Cheney will use their last months in office for one last roll of the dice: if they knock out Iran, well and good; if not, they will leave the whole mess for Obama to clean up.</p>
<p><strong>The US presidential campaign has been quiet on the Israel/Palestine conflict. Any thoughts about the candidates and their positions?</strong><br />
I am a person of the Left.  The Left has no say on the outcome of the election, because it is currently not a political force in American life.  The best advice is of course to free ourselves from all illusions; and some illusions &#8211; fewer now than a few months ago &#8211; are still rife about Obama.  Some of his appointments, especially at the sub-Cabinet level, will probably be somewhat more humane than the Republican party super-crazies, but otherwise it will pretty much resemble the Clinton era.</p>
<p><strong>You are due to speak here in Nottingham in November. Have you noticed a difference between British and American academia in relations to anti-Israel criticism? In particular, their response to the recent books by Walt/Mearsheimer and Jimmy Carter?</strong><br />
The public reception to criticism of Israeli policy has become much less hostile in the United States.  There’s lot of opportunity to get things done, if the supporters of Palestinian rights would get their act together: less pointless chatter about one-state vs. two-states and more serious organizing.</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2009/01/norman-finkelstein-the-left-is-not-a-political-force-in-american-life/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Milan Rai &#8211; Random Remarks for Radicals No. 15: Comfort Zones</title>
		<link>http://ceasefiremagazine.co.uk/2006/02/milan-rai-random-remarks-for-radicals-no-15-comfort-zones/</link>
		<comments>http://ceasefiremagazine.co.uk/2006/02/milan-rai-random-remarks-for-radicals-no-15-comfort-zones/#comments</comments>
		<pubDate>Fri, 03 Feb 2006 00:03:07 +0000</pubDate>
		<dc:creator>Musab</dc:creator>
				<category><![CDATA[Profiles]]></category>

		<guid isPermaLink="false">http://ceasefiremagazine.co.uk/?p=30</guid>
		<description><![CDATA[Milan’s response to a letter about student apathy and activism, which he received whilst in prison. The letter was from Dan Robertson, then-President of the Nottingham Student Peace Movement.]]></description>
			<content:encoded><![CDATA[<p>Wednesday 23 November 2005</p>
<p style="text-align: center;"><img class="size-full wp-image-31" title="335984" src="http://ceasefiremagazine.co.uk/wp-content/uploads/335984.jpg" alt="" width="450" height="338" /></p>
<p><span id="more-30"></span></p>
<p><strong>Milan Rai, author and activist, was sentenced to time in prison at the end of 2005 after he</strong><strong> refused pay a fine which he incurred for reading out the names of the Iraqi civilians killed by the invasion at the Cenotaph, the London War Memorial. Milan made the most of his time at HMP Lewes by writing extensive <a href="http://www.j-n-v.org/Mil_Prison_Diary.htm">prison diaries </a>detailing his insights into political activism and his experiences of prison life. Below is Milan’s response to a letter received whilst in prison from Dan Robertson, a student and President of the Nottingham Student Peace Movement at the time.</strong></p>
<p>Yesterday (22 November) I received a letter from Nottingham Student Peace Movement, musing on the scope and limits of university activism. (Incidentally, the letter is dated 21 November, so you have some idea of how fast things are turning around at this just-in-time (or is that stuck-in-time) prison.) Dan Robertson expresses frustration at the unwillingness of many students to ‘leave their comfort zone to take more radical positions’.</p>
<p>Now I think by now you know what is going to happen. I’m going to take some of Chomsky’s comments on the topic, reproduce them in somewhat less elegant language, and embroider them. As an academic, Chomsky has had a lot of time to think about the topic, but he’s rarely written about it. One point he has made about the academic scene is that there is a dramatic change of attitude between students and even young faculty, who are only a year or so away from being students themselves. He also points out the recurring pattern of students going off for summer jobs at commercial law firms, for example, thinking they are only going to earn some money, to help them with their debts, and then coming back with an entirely different outlook, often wearing different clothes. Every radical student knows about the hidden agenda of the classroom; and the tacit lessons taught unobtrusively in the course of the school day, lessons in obedience and conformity. The same is true, even more powerfully, of the re-shaping that goes on under the surface at work – even at university.</p>
<p>Another foundational remark from Chomsky concerns the objectives of university reform. Now barely detectable as a live issue, university reform (in a liberatory sense) was a major concern thirty years ago. Chomsky pointed out that what mattered was not alterations to boards of trustees or such like, but the content of the curriculum and the relationship between staff and students. In passing, one might note the same about industrial relations, and the workplace. As we have seen in Germany recently, putting a few token trade unionists on a board is more likely to lead to corruption of the labour movement leadership than real changes towards industrial democracy on the shop floor. Universities are locations of enormous privilege and provide students and faculty with intellectual skills, wide resources and considerable leisure, which can and should be used to contribute intellectually as well as bodily to movements for social change. Chomsky says that intellectuals should make their ideas dominant by their excellence. Quite a challenge, but it’s hard to see what the alternative there is.</p>
<p style="text-align: center;"><a href="http://ceasefiremagazine.co.uk/wp-content/uploads/auton118.jpg"><img class="size-full wp-image-32 alignright" style="float: right;" title="auton118" src="http://ceasefiremagazine.co.uk/wp-content/uploads/auton118.jpg" alt="" width="250" height="166" /></a></p>
<p>Okay, back to “comfort zones”, and student activism. Why should someone become active, and take some part in a movement – “join” the movement? Why should they take a more sceptical attitude towards the mainstream media and official propaganda – let alone the accepted framework of the social sciences, for example? The only reasons that might move someone would be (a) a compelling and irrefutable picture of something that they find outrageous and (b) compelling and irrefutable arguments that undermine official lies and received wisdom. What often provides the key for change is something that makes the picture or the argument human. Chomsky is very self-deprecating about his own tactical judgements. One example he has given is the sanctuary offered by MIT students to a US soldier who had gone Absent Without Official Leave (AWOL) in protest against the Vietnam War. Chomsky argued against it – I think because he thought it would receive too little support, and would fall flat. In the event, the sanctuary was a massive success, with students flocking up to the hall where Mike (I forget his surname) was staying. Teachers moved their classes there, students slept there; the sanctuary apparently changed opinion on campus. Instead of arguing in the abstract, students were confronted with a young person much like themselves, facing an appalling decision, and they changed their minds as the arguments were put in this new human framework, with a new sense of immediacy (Face-toface, hands-on, immediate involvement. Familiar?). The sanctuary ended when Mike was arrested and taken off to face military courts. The effect on MIT seems to have been substantial and lasting.</p>
<p>So why would someone move out of their comfort zone – whether on campus or anywhere else? There are lots of reasons not to. In marketing, in the commercial world, there is an emphasis on understanding and resonating with the attitudes of those you are trying to influence, repeating your message regularly and in a variety of ways. Advertising is based on manipulation, campaigning is about honesty and persuasion, but there are useful lessons that we can learn, nevertheless. Dan writes, quite rightly, ‘even the realisation that those calling for radical change are not easily pigeonholed and derided [as] “hippies” or “nihilists”, but are compassionate and intelligent human is actually an important step in some cases.’ This applies outside university as well. Finally, there is another attitude shift which is of equal importance, which is for intellectuals, whether “radical”, “liberal” or “conservative”, to rid themselves of the delusion that their form of literacy and education means that they are both more intelligent and (therefore) more suited to dominate and rule the less-highly-schooled. Intellectuals must free themselves of the contempt for “the masses” which has undermined movements for social change in the past. If they can form a true partnership with other working people, intellectuals can help rather than hinder social progress.</p>
]]></content:encoded>
			<wfw:commentRss>http://ceasefiremagazine.co.uk/2006/02/milan-rai-random-remarks-for-radicals-no-15-comfort-zones/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
